Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Our gallery programming is centred around our open-submission Artist-Initiated Projects. Selected projects are presented in the context of a gallery space with a dedicated tradition towards the professional development of artists in a peer-led, supportive environment and are supplemented with artists’ talks, texts, workshops, performances, artists' interviews, and gallery visits by colleges and local schools.
This core programme is contextualised alongside collaborative, curated, and international projects.
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As part of the exhibition Were is the here if the here is in there? Scott Kiernan and Victoria Keddie of E.S.P. TV have been invited to produce one of their renowned analogue TV shows at Pallas Projects/Studios.
Each of the artists within this exhibition directs their lens towards a multitude of purposes, while their thoughts are refracted through existence within a global metropolis.
The Epic of Gilgamesh 2012 is an ongoing project in which eight artists interpret The Epic of Gilgamesh, a story of the third millenium B.C.E.
Conversations in: is an ongoing project that considers the relationship between image & object within the dilemma of a contemporary art practice.
Give up the Ghost incorporates new and reconfigured work, writing and research by Lorraine Brannigan, Shannon Flaherty, Emma Hogan, Jack Nyhan, Martina McDonald, Siobhán Mooney, Niamh Moriarty and Ruth Clinton. The exhibition is informed by a variety of conjectures on the nature of time.
Periodical Review (2011–ongoing) is a long-running curatorial project which sets out to consider, revisit and review current movements within contemporary art practices from around Ireland.
Martin Healy's Facsimile is single projection HD film and comprises of a sequence of shots across lush tropical foliage.
In Ciarán Walsh's video work It’s Just a Shadow Away two actors sit in a production studio, re-performing the original Russian dialogue (a language in which they have no knowledge) of two short sections of the 1972 film Solaris.
Here’s the Tender Coming (WHOOPEE) We’re all Going to Die plays out a dialogue concerning the reclamation of death within the condition of life, a space where finitude is integral, death is never far from the mind of the artist, and present on the surface, just underneath, or within the text of their work.
Pallas Projects hosts a series of 5 artist-initiated projects, selected via competitive process, as part of the Pallas Projects Summer Programme.
Genealogies; Frameworks for Exchange explores experimental formats for discourse that have the potential to both open up and create affirmative ways to historicise genealogies of authorship - especially female genealogies.
Horvers transmits this material into another reality in the form of voice performances, hand-written drawings, hand-written books, sound installations and interactive electronic text displays.