Projects

Periodical Review (2011–ongoing) is a long-running curatorial project which sets out to consider, revisit and review current movements within contemporary art practices from around Ireland.

beyond the box is the materialisation of the journey taken on year one of Helium Arts' Cloudlands Project, a tri-location arts and health residency for teens in hospitals in Temple Street Children’s University Hospital, Cork University Hospital and University Hospital Galway by artists Rachel Tynan, Eszter Nemethi and Emma Fisher respectively.

For I is Someone Else is an exhibition of work focusing on the politics of influence, sharing and appropriation in music.

Tell it slant is a group exhibition centred round the theme of language. The exhibited work has been produced by ten emerging artists and curators, who are all either current or past gallery interns at PP/S, Dublin.

The relationship between Labour and Capital shifted irrevocably in 1913 in the Great Dublin Lockout, just as it is shifting today – whether through the directives that change the face of rural labour, or the lockouts of our time, or the marketplace which directed our lives without our even knowing, or that the spaces we think are public but are governed by restrictive rules, or how we perform in relationship to knowledge and the past – this is what A LETTER TO LUCY addresses, what these artists take on. 

BYOB Dublin ’13 is an DIY curatorial format where artists collaborate on site to create a moving image experience. 



An encounter with objects, images and artworks charged with the mysticism of tribal rituals, punk spirituality, psychedelia, occult symbolism, primitive crafts, folk traditions, and magic.

‘Portrait cuts itself out on the floor’ is an exhibition of new works at Project Space at PP/S by Limerick born painter Ramon Kassam.

powerS +  √ roots is the second exhibition informed by a longstanding critical dialogue between artists Dave Madigan and Méadhbh O’Connor. Here, the two artists explore their interests in networks and energy systems, both natural and man-made.

This work is born of experimentation with drawing as an embodied practice.

"When CASS appears its a gradual gathering of white stars. Over a year they combine with one another known colloquially as Acceptatron, this action results in a cosmic dance of pinks and green."

This is not that place is a point of slippage, a fragmentary archive of queer knowledge and intimacy, gathered together through random, instinctive encounters and processes of relational otherness.