Projects

Part how-to manual, part history, and part socio-political critique, Artist-Run Europe looks at the conditions, organisational models, and role of artist-led practice within contemporary art and society.

Periodical Review (2011–ongoing) is a long-running curatorial project which sets out to consider, revisit and review current movements within contemporary art practices from around Ireland.

In the making presents a taste of the future. For three weeks in February-March 2016, Pallas Projects provides an exciting platform for emerging art practices, hosting three consecutive exhibitions of new work by degree year students from IADT’s BA in Art.

Studio is an exhibition of paintings where I explore the nature of contemporary artist’s spaces, particularly those in the artist-run Wickham St Studios, in Limerick.

Contrapposto is used to describe how sculpture contains opposing actions that play against each other as a way to create movement and tension.

In Primitive Pathways, Gráinne Tynan presents new work inspired by medical science and shamanism. Through sculpture, drawing, and installation, the exhibition illustrates the artist’s search for resonances between our shared physiology and our primal mark-making instincts.

Nostalgia, Waves marks Du Jingze's first major solo show. It began with Du's fascination with the growing tension we experience today, between the simulation of reality and the reality of our state of conscious. 

Pallas Projects/Studios with The Irish Georgian Society and Whyte’s present:20 Year Benefit Auction of Contemporary Art

Pallas Projects is delighted to present Liz Nielsen & Max Warsh, in association with Sirius Arts Centre. Curated by Jessamyn Fiore, this exhibition presents the work of two outstanding American artists whose contemporary art practice employs a unique exploration of the materiality of photography, producing striking abstract works that push the boundaries of the medium to contemplate its use of light and memory.

Appropriate Colours presents a series of sculptures and works on paper reflecting on the seemingly eclectic, yet often prescribed use of colour in Ireland’s rural vernacular architecture.

The methodology of this show utilises the traditional language of painting. Seven paintings will be produced and are presented to the viewer in a sculptural manner. Influences include rock music, landscapes and art education.