Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Our gallery programming is centred around our open-submission Artist-Initiated Projects. Selected projects are presented in the context of a gallery space with a dedicated tradition towards the professional development of artists in a peer-led, supportive environment and are supplemented with artists’ talks, texts, workshops, performances, artists' interviews, and gallery visits by colleges and local schools.
This core programme is contextualised alongside collaborative, curated, and international projects.
- 2025
- 2024
- 2023
- 2022
- 2021
- 2020
- 2019
- 2018
- 2017
- 2016
- 2015
- 2014
- 2013
- 2012
- 2011
- 2010
- 2009
- 2008
- 2007
- 2006
- 2005
- 2004
- 2003
- 2002
- 2001
- 2000
- 1999
- 1998
- Artist-Initiated Projects
- Collaboration
- Curated Projects
- General Info
- International
- Learning & Research
- Periodical Review
- Special
- Studios
- Group exhibition
- Solo exhibiton
- Off-site
- Publication
- Workshop
- Performance
- Pallas Heights
AUTO DA FE, shortly before the demolition of Sean Tracey House AKA Pallas Heights, the keys to the gallery and the studios will be handed over to Paul Murnaghan.
Metaphysical Longings takes place over the course of three evenings, functioning to facilitate participants to engage with and practice meditation.
Fiction an installation of drawings in 25 Sean Treacy House where Fergus Byrne spent a year and a half with studio tenure.
Via is a collaborative artist-led initiative, created to explore through art, issues surrounding history, culture and art practice within the context of the changing identity of Dublin city.
Vanessa O'Reilly's SWARM operates less as a theme and more as a descriptive process. Swarm intelligence is used to describe systems typically made up of a population of simple agents interacting locally with one another and with their environment.
This is a different kind of art exhibition. This is not meant as an egotistical statement, for what makes it different is not the result of an exhaustive and elaborate set of ideological criteria that has been met, or the culmination of a curator's taste, status, perspective or target-audience.