Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Artist-Initiated Projects (AIP) is a highly accessible open-submission programme, presented in a peer-led, supportive environment. It is designed to be dynamic, quick and responsive to reflect what artists are currently making. Periodical Review (2011–present) sets out to consider, revisit and review current movements within contemporary art practices from around Ireland to facilitate and encourage new readings, collaboration, crossover and debate.
This core programme is contextualised alongside collaborative and international projects.
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- Pallas Heights

One must imagine Sisyphus happy presents the work of Croatian artists Mia Maraković, Pavle Pavlović and Rada Iva Sibila and explores how individuals cope with a pervasive sense of impending doom while embracing ritual, absurdity and transformation.

Coinciding with the exhibition the necessity of ruins (Films 2021-2023), artist Gavin Murphy has selected film works by four Irish Artists for a special screening and Artist’s talk presented in collaboration with aemi and Pallas Projects.

The Staring at the sea residency at Cill Rialaig foreground was studio activity, reflection and group work alongside exploration in the open landscape; exploring dry wall stone techniques as a tool for artistic expression and site-specific practice.

Pallas Projects are pleased to present ‘Dubliners’ – the international section of the 6th Biennial of Painting, Zagreb, curated by Mark Cullen & Gavin Murphy. The exhibition affords a unique opportunity to present together for the first time, an intergenerational grouping of painters who were born, bred, studied (and taught), or live and work in Dublin.

Art in the Community: Redefining Heritage of the Association of Artists Zemlja project was based on exchanging experiences, a reciprocal collaboration of artists and work within the local community and students' research work.

Pallas Projects presents ‘New Irish Video’, a screening of new experimental film and video works by artists from or based in Ireland. The selection of work spans the heterogeneous approaches to the moving image that artists from Ireland are adopting today, from experimental narrative work to CGI environments, envoking the personal, historical, socio-political and the self-reflexive.

Dublin artist-run space Pallas Projects has invited 3 long-running European artist-run/artist-initiated organisations to Dublin to participate in a series of Workshop meetings to investigate the roles, aims of/challenges to running artist-run spaces, and to present and share views and experience on artist-run collaboration and international cooperation.

I Saw a Woman in Inverness Whom I Shall Never Forget is focused on deconstructing and redefining the model of linear chronology and a positivist concept of time. Part of our 2018 Artist-Initiated Projects programme.

As part of Israeli Apartheid Week 2018, the Dublin branch of the Ireland-Palestine Solidarity Campaign invite you to an exhibition featuring the photography of Palestinian photojournalist and film-maker Mohammad Alazza.

Pallas Projects is delighted to present Liz Nielsen & Max Warsh, in association with Sirius Arts Centre. Curated by Jessamyn Fiore, this exhibition presents the work of two outstanding American artists whose contemporary art practice employs a unique exploration of the materiality of photography, producing striking abstract works that push the boundaries of the medium to contemplate its use of light and memory.

Mappe e Manoscritti Contemporanei is an exhibition of new drawings and paintings inspired by and created in Florence, Italy. Contemporary cartography documents political, social and cultural terrains, both experienced and imagined.

Give up the Ghost incorporates new and reconfigured work, writing and research by Lorraine Brannigan, Shannon Flaherty, Emma Hogan, Jack Nyhan, Martina McDonald, Siobhán Mooney, Niamh Moriarty and Ruth Clinton. The exhibition is informed by a variety of conjectures on the nature of time.