Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Artist-Initiated Projects (AIP) is a highly accessible open-submission programme, presented in a peer-led, supportive environment. It is designed to be dynamic, quick and responsive to reflect what artists are currently making. Periodical Review (2011–present) sets out to consider, revisit and review current movements within contemporary art practices from around Ireland to facilitate and encourage new readings, collaboration, crossover and debate.
This core programme is contextualised alongside collaborative and international projects.
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Paper Work explores the primacy of paper as a fundamental medium, a celebration at the core of the transformative essence of artistic production, and of the possibilities inherent in the simplest medium, intrinsic as it is to the facilitation of expansive contemporary artistic concepts.
Automatic is a two-part international group show of works that confront and insinuate themselves with the viewer. Attempting to question what might be innate or instinctual, each artist works within our daily experiences that lie beyond conscious decisions.
The exhibition Of Men and Mountains takes as its starting point the idea of human struggle and endeavor.
Skip Roll Bump Scratch features video, photography and mechanical sculpture, including a new kinetic installation consisting of two mobilised record players both playing the same record.
Pallas Projects hosts a series of 9 artist-initiated projects, selected via competitive process, as part of the Pallas Projects Summer Programme.
Syjuco’s installation of hand-made sculptures is based on a shared database of “artworks” created by users of SketchUp, a 3-D modelling software made by Google.
Hito Steyerl’s 2007 film Lovely Andrea follows the artist as she returns to Japan, where she briefly worked in the 80s as a bondage model under the assumed name Andrea, to search for a photograph of herself. In Resonating Surfaces Manon de Boer recorded and transcribed memories of São Paulo from people who grew up in São Paulo and now live in Europe.
What does matter?, in times of flux what is fixed? what is important and what is not? what to focus on and what to ignore? are we lost or are we found? Pallas Contemporary Projects is delighted to present new and recent work from 6 artists specifically selected for SUB:URBAN Rotterdam.
In the spirit of absurd theatre, Situation continues O’Kennedy’s grappling with tensions resulting from struggle, striving and purposefulness in the face of a seemingly absurd and random world.