Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Artist-Initiated Projects (AIP) is a highly accessible open-submission programme, presented in a peer-led, supportive environment. It is designed to be dynamic, quick and responsive to reflect what artists are currently making. Periodical Review (2011–present) sets out to consider, revisit and review current movements within contemporary art practices from around Ireland to facilitate and encourage new readings, collaboration, crossover and debate.
This core programme is contextualised alongside collaborative and international projects.
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- Pallas Heights
The Important Thing Is That Tomorrow Is Not The Same As Yesterday presents works as an antidote to living within the state of being contemporary. The title draws on the ideas of Lewis Mumford (1895 – 1990), who wrote extensively on man’s interaction with technology.
Magic Drawings in the Womb of the Living Earth, is the first solo exhibition of paintings by Irish artist Brendan Flaherty.
Eilis McDonald’s first solo show: Reverse Psychology, is an explosion of subconscious landscapes, loud music, spiritual energies and ghosts.
AUTO DA FE, shortly before the demolition of Sean Tracey House AKA Pallas Heights, the keys to the gallery and the studios will be handed over to Paul Murnaghan.
Metaphysical Longings takes place over the course of three evenings, functioning to facilitate participants to engage with and practice meditation.
Fiction an installation of drawings in 25 Sean Treacy House where Fergus Byrne spent a year and a half with studio tenure.
Via is a collaborative artist-led initiative, created to explore through art, issues surrounding history, culture and art practice within the context of the changing identity of Dublin city.
Vanessa O'Reilly's SWARM operates less as a theme and more as a descriptive process. Swarm intelligence is used to describe systems typically made up of a population of simple agents interacting locally with one another and with their environment.
This is a different kind of art exhibition. This is not meant as an egotistical statement, for what makes it different is not the result of an exhaustive and elaborate set of ideological criteria that has been met, or the culmination of a curator's taste, status, perspective or target-audience.
More Often Than Most contains all new work from the past year and primarily uses digital video.
No Mans Land is an ongoing exhibition project which began in 2002, involving eight young European artists.
These were two nighttime extensions to OFFSIDE co-programmed by Fergus Byrne featuring audiovisual performances that responded to the classical architecture of the Hugh Lane