Projects

Natasha Conway makes small scale paintings in oil on linen or board often featuring collaged elements. The work is an ongoing exploration of the language of abstraction.

Introduced to Orson Welles’ iconic film, Citizen Kane, as a student at the National College of Art and Design in the 1980’s, artist Darina Meagher now revisits the film to explore the concept of ‘radioactive memory’. 

Elizabeth Archbold’s practice is concerned with the experience of the viewer in looking at the painting, painting as an index of making over time in an open-ended thinking process, and painting as a reciprocal exchange of forms and references with the environment.

This exhibition showcases David Turner’s portraits of famous world leaders as ordinary young people created using Lego bricks or Hama Beads.

Interrogating one fixed visual point with one printed image, and multiple, layered projected images, there are six points of sound to connect to in the space.

McCaughey’s work looks at self expression, the way we examine and present ourselves, our attitudes to fashions and our desire for instant approval through the distorting lens of social media.

The show presents an ongoing practice that explores a bodily response to social spaces. Investigated via drawing and painting; it considers how paint can articulate the nuance of these experiences.

Nasty Women is a global art movement that serves to demonstrate solidarity among artists who identify with being a Nasty Woman in the face of threats to roll back women’s rights, individual rights, and abortion rights

The idea for this exhibition has materialised through a continuous dialogue on the areas of convergence within their practices. Both artists approach the subject of place and time through line.

Awkward Interjection is a feminist collective consisting of recent NCAD graduates. Themes that permeate the work include the representation and roles of women, gender, bodies, intimacy, sexuality and female experiences in public and private spheres.

This exhibition consists of collaborative paintings and some individual works by Ito. When creating these collaborative works, the two artists drew one picture.

This exhibition brings together large and small format paintings in which abstract scenes are loosely formed by the suggestion of foliage and puddles, grids and lozenges or prop-like objects and curtains.