Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Artist-Initiated Projects (AIP) is a highly accessible open-submission programme, presented in a peer-led, supportive environment. It is designed to be dynamic, quick and responsive to reflect what artists are currently making. Periodical Review (2011–present) sets out to consider, revisit and review current movements within contemporary art practices from around Ireland to facilitate and encourage new readings, collaboration, crossover and debate.
This core programme is contextualised alongside collaborative and international projects.
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- Pallas Heights
In Primitive Pathways, Gráinne Tynan presents new work inspired by medical science and shamanism. Through sculpture, drawing, and installation, the exhibition illustrates the artist’s search for resonances between our shared physiology and our primal mark-making instincts.
Nostalgia, Waves marks Du Jingze's first major solo show. It began with Du's fascination with the growing tension we experience today, between the simulation of reality and the reality of our state of conscious.
Pallas Projects/Studios with The Irish Georgian Society and Whyte’s present:20 Year Benefit Auction of Contemporary Art
Pallas Projects is delighted to present Liz Nielsen & Max Warsh, in association with Sirius Arts Centre. Curated by Jessamyn Fiore, this exhibition presents the work of two outstanding American artists whose contemporary art practice employs a unique exploration of the materiality of photography, producing striking abstract works that push the boundaries of the medium to contemplate its use of light and memory.
Appropriate Colours presents a series of sculptures and works on paper reflecting on the seemingly eclectic, yet often prescribed use of colour in Ireland’s rural vernacular architecture.
Pallas Projects/Studios celebrates 20 Years with the announcement of several major projects
The methodology of this show utilises the traditional language of painting. Seven paintings will be produced and are presented to the viewer in a sculptural manner. Influences include rock music, landscapes and art education.
Fundamentally, the exhibition aims to present a combined perspective on a mode of art-making which could defined as ‘indescribable’.
Pallas Projects/Studios celebrates 20 Years with the announcement of several major projects
Leaving the camera behind, I arrived in China quixotically armed with notepad and pen. Each scribble a recognition of heightened experience. Each painting a regurgitation of undigested experience.
We are developing new ways for people earn for themselves, thereby restoring to them some kind of autonomy. One of our core tenets is to act in solidarity with our brothers and sisters in the camp. #solidaritynotcharity.
MOMENT OF SURRENDER (the paintings) are for the artist a way of staying creative, through the process of everyday painting. This process is an important aspect of Lalor’s practice, which was in hiatus during his preceding all consuming film project INCIDENT URBAIN, and has returned injecting a new lease of life into Lalor's daily work and approach to film-making.