Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Artist-Initiated Projects (AIP) is a highly accessible open-submission programme, presented in a peer-led, supportive environment. It is designed to be dynamic, quick and responsive to reflect what artists are currently making. Periodical Review (2011–present) sets out to consider, revisit and review current movements within contemporary art practices from around Ireland to facilitate and encourage new readings, collaboration, crossover and debate.
This core programme is contextualised alongside collaborative and international projects.
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- Pallas Heights
PhyloCode is a live 15 minute Instagram takeover performance which splices together fragments of video and audio seized from news and media broadcasting to create a visceral moving image collage. This is the second in a series of performances created solely for Pallas Projects/Studios.
The ‘lecture-performance’ incorporates elements of both the academic lecture and of performance in contemporary and modern art history.
The ‘lecture-performance’ incorporates elements of both the academic lecture and of performance in contemporary and modern art history.
Joan Coen, Heads-Ón Saol Eile, represents an expression of the collective unconscious known as ‘an saol eile’ in the Irish language - a unified field of awareness which realises its presence through image.
A selection of considered works were brought to Pallas Projects and placed on the shelf to expand the exhibition space and an edition of silkscreened floor plans use previous exhibition texts to serve as backgrounds to carry additional information for 1001 Shows.
35 Artists At Large experienced through screen-printed posters & letters (“Orphans”) & 6 collaborative zines.
Art Club presents Concurrent an exhibition comprised of seven visual artists in collaboration with Dublin based Independent Record Label Bad Soup.
Common Thread is an accumulation and visual presentation of thoughts and ideas beginning to form through the various styles and processes that Textile Art and Artefact allows for.
Artworks by over 70 established and emerging artists including: Willie Doherty, Amanda Coogan, Liam Gillick, Corban Walker, Abigail O'Brien, Paul Hallahan, Barbara Knezevic, Salvatore of Lucan, Julia Dubsky and many more
nascent dirty lemon yellow is an exhibition of paintings involving collaboration by Julia Dubsky and Kyle McDonald. The artists have shared conversations about their similar and conflicting painting sensibilities over several years of friendship.
In his 1981 essay 'The End of Painting', Douglas Crimp poses the question ‘What makes it possible to see a painting as a painting?”. This is a question that Smyth is aware of in her work, as she explores both the subject of painting and the painting as an object.
The installations transform the exhibition space into a space of reflection. They rely on its physical dimensions and limits to create a moment of coherence. The diverse materials on display are linked together through the unity of place and time created within the confines of a setting.