Projects

Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.

Artist-Initiated Projects (AIP) is a highly accessible open-submission programme, presented in a peer-led, supportive environment. It is designed to be dynamic, quick and responsive to reflect what artists are currently making. Periodical Review (2011–present) sets out to consider, revisit and review current movements within contemporary art practices from around Ireland to facilitate and encourage new readings, collaboration, crossover and debate.

This core programme is contextualised alongside collaborative and international projects.

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Open House—Missing Green walking tour & screenings
18/10/14—18/10/14

Anne Maree Barry's film Missing Green is a poetic journey through Cork Street, Dublin.

Part of Special Projects
Keith Lindsay–Soundscape
10/10/14—14/10/14

Keith Lindsay is a Dublin based sound Artist who works with a wide range of media which include music, sound, projection, film, sculpture, and electronics.

Part of Artist-Initiated Projects
PP/S Gala Benefit Auction with Whyte’s at the Irish Georgian Society
07/10/14—09/10/14

The non-profit art space Pallas Projects/Studios has been breaking new ground for art projects all over Dublin since its inception in 1996, recent cuts however have cut deep at this artist-run institution’s capacity to continue developing opportunities for Irish contemporary art and the work of new artists.

Part of Special Projects
Kevin Mooney—Wave
12/09/14—20/09/14

Wave, Kevin Mooney’s exhibition at Pallas Projects/Studios, presents new works that portray figures, landscapes and references to Irish history and culture.

Part of Artist-Initiated Projects
RESORT: A Popular Destination
06/08/14—16/08/14

In March 2014, a group of nine artists ventured to Peanmeanach, a remote peninsula in the Scottish Highlands.  They spent six days living together in a bothy* and exploring the surrounding landscape.

Part of Curated Projects
Steven Maybury—Radical Line
02/07/14—06/07/14

Radical Line is an investigation into less tangible forms of energy transformation. Created through monotonous processes and crossingdisciplines, the results relate to effortless substitutes, celebrating something new.

Part of Artist-Initiated Projects
Anne Maree Barry—Missing Green
19/06/14—27/06/14

Missing Green (2013) is a poetic journey through Cork Street, Dublin. Narrated via interviews with Councillor John Gallagher, architect Gerry Cahill, author and journalist Frank McDonald and sociologist Aileen O’Gorman, the viewer discovers an area in Dublin that has gradually but dramatically transformed in the last 80 years.

Part of Curated Projects
NCAD MFA—Between Here and There
22/05/14—24/05/14

Between Here and There, a group exhibition of 1st year MFA students from NCAD takes place in the Project Space at PP/S, 22nd – 24th May

Part of Special Projects
Cliona Harmey—Troposphere
17/04/14—03/05/14

Referring to the lowest atmospheric layer and literally meaning “sphere of change”, the troposphere is the site of weather, turbulence and atmospheric transformation.

Part of Curated Projects
Seán Guinan—Cuckoo Clock
03/04/14—12/04/14

The paintings in Cuckoo Clock reflect a new momentum and direction in Seán Guinan's practice. The paintings are the result of a series of interventions, the terms of which are dictated by a daily scrutinizing, obliterating/mending and an intuitive working-out of the direction each one needs to take.

Part of Artist-Initiated Projects
Stephen Dunne—Subliminal Anarchy
20/03/14—29/03/14

The exhibition operates across the registers of painting drawing, moving image and the investigation of speculative and theoretical fictions.

Part of Artist-Initiated Projects
Margaret Fitzgibbon—Reflections from, through and beyond a family archive
13/03/14—17/03/14

One of the ways we define the present moment is by valuing or devaluing past events. This exhibition takes a series of personal family artefacts that appear to have no intrinsic ‘value’ to show how such intimate remains both conceal and reveal prevailing circumstances and wider belief systems of a specific period.

Part of Artist-Initiated Projects