Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Our gallery programming is centred around our open-submission Artist-Initiated Projects. Selected projects are presented in the context of a gallery space with a dedicated tradition towards the professional development of artists in a peer-led, supportive environment and are supplemented with artists’ talks, texts, workshops, performances, artists' interviews, and gallery visits by colleges and local schools.
This core programme is contextualised alongside collaborative, curated, and international projects.
- 2025
- 2024
- 2023
- 2022
- 2021
- 2020
- 2019
- 2018
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- 2016
- 2015
- 2014
- 2013
- 2012
- 2011
- 2010
- 2009
- 2008
- 2007
- 2006
- 2005
- 2004
- 2003
- 2002
- 2001
- 2000
- 1999
- 1998
- Artist-Initiated Projects
- Collaboration
- Curated Projects
- General Info
- International
- Learning & Research
- Periodical Review
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- Studios
- Group exhibition
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- Off-site
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- Performance
- Pallas Heights
Centre is concerned with the idea of the centre, be it a geometrical point, origin, public space, or the self-centred “me”.
Beneath That Darkness There Was Another is a exhibition of painting, sculpture and laser-engraved panels. The exhibition continues the artist's ongoing development of a personal abstract vocabulary while introducing new media and materials.
Panorama is a group exhibition which brings together the paintings of thirteen women artists who are affiliated with Dublin. The exhibition offers an acknowledgment of the variety and wealth of painting being produced by these artists.
Ormston House is delighted to welcome Pallas Projects to Limerick for the second edition of Periodical Review #4 – a unique, yearly survey of Irish contemporary art practices, that looks at commercial gallery shows, museum exhibitions, artist-led & independent projects and curatorial practices.
Showcasing work by both artists made during their time in NCAD, John and Aisling share a mutual interest in the practice of painting and its place in the context of contemporary visual art.