Projects
Pallas Projects collaborates with artists and groups, placing a particular emphasis on early-career, emerging artists and recent graduates, experimental or overlooked practices.
Artist-Initiated Projects (AIP) is a highly accessible open-submission programme, presented in a peer-led, supportive environment. It is designed to be dynamic, quick and responsive to reflect what artists are currently making. Periodical Review (2011–present) sets out to consider, revisit and review current movements within contemporary art practices from around Ireland to facilitate and encourage new readings, collaboration, crossover and debate.
This core programme is contextualised alongside collaborative and international projects.
- 2025
- 2024
- 2023
- 2022
- 2021
- 2020
- 2019
- 2018
- 2017
- 2016
- 2015
- 2014
- 2013
- 2012
- 2011
- 2010
- 2009
- 2008
- 2007
- 2006
- 2005
- 2004
- 2003
- 2002
- 2001
- 2000
- 1999
- 1998
- Artist-Initiated Projects
- Collaboration
- Curated Projects
- General Info
- International
- Learning & Research
- Periodical Review
- Special
- Studios
- Group exhibition
- Solo exhibiton
- Off-site
- Publication
- Workshop
- Performance
- Pallas Heights
The exhibition at Palais Heights will include an installation of two wall sized drawings of the crucified Christ and St Teresa of Avila who appears to receive the stigmata of figure of Christ in the form red threads that span the room.
In the first room are four paintings of interiors; each responding to a nostalgia for modernism and the dream that it promised. On the first floor is a single painting, Black Hut.
EME is the first project in a series of new works by McCann exploring the complexities of surface: creating hybrid visual emblems of protection, aggression and identity.
.‘COSMIC ANNIHILATOR‘is an installation environment situated in a social housing block that explores themes of enclosure, claustrophobia and escape to fantasy.
.‘COSMIC ANNIHILATOR‘is an installation environment situated in a social housing block that explores themes of enclosure, claustrophobia and escape to fantasy.
“Perhaps a lot of the high expectations had a lot to do with some very strong undercurrents in Modernism, found, often as not in its Utopian ideals. The block of flats where the installation will be built comes from these high ideals, built in the late sixties this building project was seen as a solution”.
‘NOW:HERE’ is the first in a series of new projects by Phelan focusing on Collective Belief Systems. What are Collective Belief Systems? These Systems are the laws, morals, ideas and beliefs within society that its citizens subscribe to, such as politics, law, religion, science and culture.
‘NOW:HERE’ is the first in a series of new projects by Phelan focusing on Collective Belief Systems. What are Collective Belief Systems? These Systems are the laws, morals, ideas and beliefs within society that its citizens subscribe to, such as politics, law, religion, science and culture.
‘Fresh Fruit…’ are a collection of artists who have exhibited with Pallas in the past and are familiar with the intense particular location of Sean Tracey House.
Precinct utilises the spaces currently dedicated to advertising hoarding all around the city. Placed within the context of billboard advertising, art has an ability to touch peoples lives in a more immediate and unsuspecting way.
The intention of Salon 99 would be to move away from the process of presentation in favour of the up front display methods of the early 20th century Parisians. A chorus of condensed images will replace the cool space of the modernist gallery.