Projects

Beneath That Darkness There Was Another is a exhibition of painting, sculpture and laser-engraved panels. The exhibition continues the artist's ongoing development of a personal abstract vocabulary while introducing new media and materials.

Panorama is a group exhibition which brings together the paintings of thirteen women artists who are affiliated with Dublin. The exhibition offers an acknowledgment of the variety and wealth of painting being produced by these artists.

Showcasing work by both artists made during their time in NCAD, John and Aisling share a mutual interest in the practice of painting and its place in the context of contemporary visual art.

In this ongoing ‘Dark Inventory’ series the artist engages with politicizing the space between what is visible and what is absent. He emphasises this critical moment in the history of Modernism in Europe with a corresponding reductive process on paper.

Through my practice I argue for a return to the senses by engaging with the landscape, through the sort of ‘haptic’ experience film can provide. I have chosen Coolorta, a small alternative community in the West of Ireland for the location of this research.

Keith Lindsay is a Dublin based sound Artist who works with a wide range of media which include music, sound, projection, film, sculpture, and electronics.

Wave, Kevin Mooney’s exhibition at Pallas Projects/Studios, presents new works that portray figures, landscapes and references to Irish history and culture.

Radical Line is an investigation into less tangible forms of energy transformation. Created through monotonous processes and crossingdisciplines, the results relate to effortless substitutes, celebrating something new.

The paintings in Cuckoo Clock reflect a new momentum and direction in Seán Guinan's practice. The paintings are the result of a series of interventions, the terms of which are dictated by a daily scrutinizing, obliterating/mending and an intuitive working-out of the direction each one needs to take.

The exhibition operates across the registers of painting drawing, moving image and the investigation of speculative and theoretical fictions.

One of the ways we define the present moment is by valuing or devaluing past events. This exhibition takes a series of personal family artefacts that appear to have no intrinsic ‘value’ to show how such intimate remains both conceal and reveal prevailing circumstances and wider belief systems of a specific period.

Alison Pilkington's new show at Pallas Projects is a presentation of her Practice based PhD research in painting at National College Art & Design Dublin entitled “Unfamiliar Terrain” - An Investigation into the Uncanny in Painting”.